Benny Greb the Art and Science of Groove Download

A Organisation To Develop Cracking Fourth dimension Feel

The Art and Scientific discipline of Groove will help all drummers find that most unique and undeniable feeling that is groove.

Dorsum in the summertime of 2014, Benny Greb launched a Crowdfunding campaign that proved to be one of the almost successful (German) campaigns ever, with numbers in their thousands contributing, all clearly expressing their desire to proceeds further insights from this magical player.

The campaign reached, and then surpassed, its target in record fourth dimension, allowing Benny to generate a DVD that takes the drumming genre production levels to new heights, including on-screen special effects and illustrations for a fully enjoyable and inspirational experience. As Benny tells it, "I had a 'wish list' and a 'must-have' listing and the response from the Crowdfunding entrada allowed me to fully realise my ideas, and totally produce the DVD that I always wanted to nowadays to drummers world-wide."

The purpose of The Art and Scientific discipline of Groove is to accept the techniques and exercises Benny presents, to proceeds positive and consistent results time later time, thereby removing the 'luck' element when information technology comes to finding the sweet spot that is 'groove'. "I always was interested in this quality of groove and how we can change the emotional impact of what we play; information technology's all about the flow. The exercises and tools that I nowadays within The Art and Science of Groove are designed to put you dorsum into the driver's seat."

The 5 Elements
In The Fine art and Science of Groove, Benny introduces the five core elements of Time, Experience, Sound, Trunk and Mind and and so sets out to shatter sure myths about this elusive, ofttimes misunderstood subject of groove, tackling each element then that Benny's practical and entertaining approach can be used and enjoyed past drummers of all levels.

"I searched for the right elements, as they are the near valuable things that I could give to people and I wanted to find practical exercises that offered long-term solutions and changes. People have causeless that groove is a 'gift'. Groove is not a gift: information technology is a skill. Or, more specifically, it is the result of a combination of skills." The Art and Science of Groove DVD sets out to modify many preconceived ideas and is intended to provide drummers with an emotional connectedness so that their playing becomes consistent each and every fourth dimension they perform.

Time
The start element covers Time. Benny offers culling approaches on how nosotros view the infinite in between the 'big notes'. As he explains, "With a metronome, the beats come where we expect them, only by employing the 'Gap click' and 'Moving click' concepts we can train our alarm arrangement to make appropriate adjustments, thereby becoming much more comfortable with all the subdivisions." Benny points out that there is always then much more going on than merely playing perfectly to the click and getting comfy with the downbeat, besides as how important it is non to delegate the time to a machine, just rather to generate a solid and reliable groove of our own that is fully appropriate to the music, making the drum part sit within the musical context.

Feel
The Experience chapter shows Benny detailing his views on non what we play, but how we play, and how those qualities make the music feel. "The Feel chapter is actually about the concept of where does groove come from and how it has an event and can piece of work even without having perfect time and nevertheless the music still feels great! For educational purposes it was important to go some exercises into the DVD that covered this, especially to make united states think more about the effect of what nosotros play." Benny presents solutions that will permit for intuitive playing, demonstrating them with the bassist Fran Itt, with on-screen graphics and furnishings that can be viewed simultaneously as we enjoy the coaction between the two musicians.

Sound
In Benny's view, sound is our medium to get across our playing. He points out that we have to have total responsibleness for what nosotros create in terms of audio. That means we grasp the fact that a rest is not null and that by including rests within our fills, nosotros can add to the menses.

"I offer ideas that can be used where we don't take to count the time just employ sound to help with timekeeping. I found information technology very useful for myself to really hear the space in betwixt and get a consistent fourth dimension, particularly with super-slow tempos. By listening closely and picking a betoken in the 'shape' of a decaying notation for example, that can guide you to where the adjacent annotation should come and the time and then becomes super consistent."

Body
Benny crafted and honed the concepts used in this section during his drum camps working with students. Existence aware of our trunk and how we tin can utilise information technology to create flow is every bit of import as how we concord the sticks! "I found that students could make audible breakthroughs past ideas frequently every bit elementary equally simply adjusting posture or beingness aware of our breathing to modify the whole menstruum, making it reliable, consistent and not a matter of luck any more." Benny describes using air drumming as a means to "getting it right from the beginning," pointing out that, "the song starts before the song starts." By incorporating consistent move into our playing, this assists with the groove we create. The Body chemical element connects listening to our hands and feet and demonstrates how the emotion we strive to create is generated by motion.

Listen
"Your mind is where information technology all starts", explains Benny, as this chemical element is a very important role of our playing. The Heed chapter helps us to shift our focus to what we want to heed to past using mental images or an epitome that captures a sure emotion. "Often nosotros can have our hands on auto-airplane pilot and that'south where our musicality is not at play any more. I wanted to get this element into the DVD so that we consider what our expectation is of what we want to play, how it should sound and how it should feel."

The links in this chain tin accept a huge affect on what we create, and Benny admits that he came up with solutions due to his own frustration, finding that they worked for him and for the students he would teach at drum camps. "I wanted to add ideas and concepts that had not been available before and share those with drummers and make people be able to fully diagnose their playing by offering solutions and elements that tin can be applied to everything that they do."

This unmarried loftier-density DVD offers a host of solutions and culling concepts that tin help whatsoever drummer approach their playing with a whole new mindset and volition be of nifty benefit to players of all levels, as information technology will educators who seek an culling approach as part of a curriculum to guide their students to the art of creating a solid and reliable groove.

Bonus features include a "Making Of" department, which offers behind-the-scenes footage, and a total department on "Tuning" – how Benny gets his audio – a subject that many of those who assisted with the crowdfunding campaign had asked to be included. Again, Benny busts certain myths and preconceived ideas within the "Tuning" section, stripping it back to the very essentials.

Included are performances from Benny'southward Moving Parts trio, along with solo performances, making for compulsive and repeatedly enjoyable viewings. You can order the videohere.

brownhapterk.blogspot.com

Source: https://drummagazine.com/benny-grebs-art-and-science-of-groove/

Share this post